- BPM
- 81
- Key
- A Minor
- Camelot
- 8A
El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor - Manuel de Falla Matheu, Teresa Berganza, London Symphony Orchestra, García Navarro Information
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 25%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 22%
- Popularity
- 0%
- Loudness
- -19.008 dB
Summary
Manuel de Falla Matheu, Teresa Berganza, London Symphony Orchestra, García Navarro's 'El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor' came out on January 1, 2005. The duration of El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 105 in Brava Berganza by Teresa Berganza. El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor BPM
The tempo marking of El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor by Manuel de Falla Matheu, Teresa Berganza, London Symphony Orchestra, García Navarro is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
El amor brujo - Ballet By G. Martinez Sierra: Danza del juego de amor Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | 6 Roumanian Folk Dances, BB 68, Sz. 56: 3. In One Spot | Béla Bartók, Zoltán Kocsis | B Minor | 0 | 10A | 97 BPM | |
 | Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | |
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 | Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5661766529083252
End: 0.5709700584411621