Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 10.7 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 10.7 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Kapitel 10.7 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #28 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 10.7 - Wie Google tickt - How Google Works's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 10.7 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 10.7 - Wie Google tickt - How Google Works being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, Act III: Nessun dorma! | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Tosca / Act 3: Prelude - "Io de' sospiri" | Giacomo Puccini, Ann Murray, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D Major | 2 | 10B | 101 BPM | ||
The Red Mill: Moonbeams | Victor Herbert, Virginia Croskery, Slovak Radio Symphony Orchestra, Keith Brion | F Minor | 1 | 4A | 175 BPM | ||
Elijah, Op. 70: "For He Shall Give His Angels" (Double Quartet) | Felix Mendelssohn, Emily Rowley Jones, Lucy Ballard, Ruth Gibbins, Samuel Boden, Richard Rowntree, Robert Davies, William Gaunt, Susan Gilmour Bailey, Paul McCreesh | G Major | 2 | 9B | 92 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Antipodes (short) | Juan Pablo Fernández Ramos | C Minor | 0 | 5A | 73 BPM |
Section: 0.8569543361663818
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