6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double - Johann Sebastian Bach, Hopkinson Smith Information

Acousticness: 95%
Danceability: 43%
Energy: 15%
Instrumentalness: 84%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 59%
Popularity: 8%
Loudness: -26.413 dB

Summary

Johann Sebastian Bach, Hopkinson Smith made "6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double" available on 2000. The duration of 6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 32 in Bach: Sonatas & Partitas (Arr. for Lute) by Johann Sebastian Bach, Hopkinson Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, 6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double BPM

The tempo marking of 6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double by Johann Sebastian Bach, Hopkinson Smith is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.

6 Violin Sonatas and Partitas, Partita No. 2 in A Minor, BWV 1002: VI. Double Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
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La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano)	Jean-Baptiste Lully, Nicolas Horvath	B Major	2	1B	108 BPM
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl)	Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll	A Major	0	11B	119 BPM
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	G Minor	3	6A	108 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante	Ludwig van Beethoven, Mischa Maisky, Martha Argerich	C Major	0	8B	66 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette	Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken	A♭ Major	3	4B	140 BPM

ISRC: FRZ139900186
Label: L-M Records/RCA Records

Section: 0.7760329246520996

End: 0.7815001010894775