Pierre Certon, Baltimore Consort's ' "O Madame, per-je mon tems" was released on its scheduled release date, January 1, 1993. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Renaissance Music (Instrumental and Vocal) - Le Roy, A. / Praetorius, M. / Bassano, G. / Phalese, P. (La Rocque' N' Roll)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. In terms of popularity, O Madame, per-je mon tems is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With O Madame, per-je mon tems by Pierre Certon, Baltimore Consort having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
Missa "Et ecce terrae motus" A 12 voce: Kyrie: a. Kyrie eleison - Voice | Antoine Brumel, Huelgas Ensemble, Paul Van Nevel | C Major | 3 | 8B | 100 BPM | ||
Messe "Sus le pont d'Avignon": I. Kyrie | Pierre Certon, Boston Camerata, Joel Cohen | D♭ Minor | 2 | 12A | 129 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
De tout le mal | Pierre Certon, Boston Camerata, Joel Cohen | B♭ Major | 1 | 6B | 72 BPM | ||
J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Danserye: Basse danse: No. 5. La morisque | László Czidra, Tylman Susato, Camerata Hungarica | F Major | 4 | 7B | 119 BPM |