Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo - Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma Information

Acousticness: 99%
Danceability: 11%
Energy: 2%
Instrumentalness: 0%
Liveness: 10%
Loudness: 49%
Speechiness: 5%
Valence: 4%
Popularity: 1%
Loudness: -30.551 dB

Summary

"Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. The duration of Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo BPM

The tempo marking of Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): II. Largo Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Waves are Sleepy	St. Petersburg Optina Pustyn Male Choir	A♭ Major	1	4B	138 BPM
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship	Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk	E♭ Major	1	5B	97 BPM
Mother of God	John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood	F Major	1	7B	86 BPM
Burial Sentences: VI. Thou Knowest, Lord	William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland	B♭ Major	1	6B	124 BPM
Tallis: Lamentations of Jeremiah I - 2. Aleph	The Tallis Scholars, Peter Phillips	F Minor	0	4A	83 BPM
Kyrie Eleison In G Minor, Kcc 089	Kiev Chamber Choir	G Minor	1	6A	82 BPM
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir	Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör	D Minor	1	7A	81 BPM
Ave verum corpus in E-Flat Major	Camille Saint-Saëns, Convivium Singers, Neil Ferris	D♭ Major	0	3B	81 BPM
Thou Dost Intercede for All, O Good One	The Choir of the Dormition Church of the Novodevichy Convent	A Major	2	11B	65 BPM
3 Psalms, Op. 78: No. 3, "Mein Gott, warum hast du mich verlassen?"	Felix Mendelssohn, RIAS Kammerchor, Marcus Creed	A♭ Major	2	4B	83 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5451364517211914

End: 0.5492269992828369