Michel de La Barre, Rachel Brown, Mark Caudle, James Johnstone's 'Pièces pour la Flute transviere, Book II, Suite No. 9 in G Major, "Sonate, l`Inconnue": II. Vivement' came out on July 1, 1994. With Pièces pour la Flute transviere, Book II, Suite No. 9 in G Major, "Sonate, l`Inconnue": II. Vivement being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 22 in French Baroque Flute Music by Rachel Brown, Mark Caudle, James Johnstone. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Pièces pour la Flute transviere, Book II, Suite No. 9 in G Major, "Sonate, l`Inconnue": II. Vivement is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pièces pour la Flute transviere, Book II, Suite No. 9 in G Major, "Sonate, l`Inconnue": II. Vivement by Michel de La Barre, Rachel Brown, Mark Caudle, James Johnstone is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No. 3 en Mi Mineur: I. Prélude | Michel de La Barre, Ensemble Tic-Toc-Choc | D Minor | 1 | 7A | 130 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Suite No. 5 in F Major: IV. Sarabande | Charles Dieupart, Marsyas Baroque, Simon Linne | F♯ Major | 4 | 2B | 72 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Chamber Sonata No. 2 in C Minor: II. Vivace | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 125 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Affetti musicali, Op. 1: No. 23, La Boldiera | Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Massimo Lonardi | D Minor | 1 | 7A | 105 BPM |
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