Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin made "Keyboard Concerto No. 5 in F Minor, BWV 1056: III. Presto" available on January 14, 2011. The duration of Keyboard Concerto No. 5 in F Minor, BWV 1056: III. Presto is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Keyboard Concerto No. 5 in F Minor, BWV 1056: III. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in Bach: A Strange Beauty by Johann Sebastian Bach, Simone Dinnerstein. Based on our statistics, Keyboard Concerto No. 5 in F Minor, BWV 1056: III. Presto's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Keyboard Concerto No. 5 in F Minor, BWV 1056: III. Presto by Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Cello Concerto in E Minor, RV 409: III. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 1 | 9A | 142 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Concerto for Violin and Orchestra in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 76 BPM | ||
Concerto in D Minor, BWV 974: 3. Presto | Johann Sebastian Bach, Víkingur Ólafsson | F Major | 4 | 7B | 116 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
An American Mosaic: Caretakers & Research Physicians | Richard Danielpour, Simone Dinnerstein | F Major | 0 | 7B | 70 BPM |
Section: 0.576052188873291
End: 0.5823040008544922