"Seven Songs, Op. 17:1 Sen har jag ej frågat mera (Then I questioned no further)" by Birgit Nilsson, Janos Solyom was released on July 5, 2011. The duration of Seven Songs, Op. 17:1 Sen har jag ej frågat mera (Then I questioned no further) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Seven Songs, Op. 17:1 Sen har jag ej frågat mera (Then I questioned no further)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 31 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. The popularity of Seven Songs, Op. 17:1 Sen har jag ej frågat mera (Then I questioned no further) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Songs, Op. 17:1 Sen har jag ej frågat mera (Then I questioned no further) by Birgit Nilsson, Janos Solyom is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Zweiter Aufzug: "Siegmund! Sieh auf mich!" | Richard Wagner, Birgit Nilsson, James King, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 100 BPM | ||
Macbeth / Act II: Aria: "La luce langue" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 1 | 1B | 81 BPM | ||
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Elektra, Op.58, TrV 223: "Elektra! Elektra!" | Richard Strauss, Tom Krause, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 3 | 4B | 90 BPM | ||
Die Meistersinger von Nürnberg - Act 3: "Euch macht ihr's leicht" | Richard Wagner, Norman Bailey, Kurt Moll, Bernd Weikl, Gerd Nienstedt, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 3 | 8B | 94 BPM | ||
Tristan und Isolde, WWV 90 / Act II: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Wolfgang Windgassen, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm | A♭ Major | 2 | 4B | 88 BPM | ||
Rusalka, Op. 114 / Act 3: Ze se bojís? Tresky, plesky | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 130 BPM |
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