"Symphony No.5 in B flat major, D. 485 : II. Andante con moto" by Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Saulius Sondeckis was released on January 1, 2003. Symphony No.5 in B flat major, D. 485 : II. Andante con moto appears to be safe for all ages as it is not explicit. The song is number 6 out of 7 in A Sunny Afternoon by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No.5 in B flat major, D. 485 : II. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.5 in B flat major, D. 485 : II. Andante con moto by Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Saulius Sondeckis is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ysaÿe : Violin Sonata No.5 Op.27 : I L'Aurore | Eugène Ysaÿe, Rachel Kolly d'Alba | A Minor | 2 | 8A | 100 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E♭ Major | 0 | 5B | 107 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Carolinen-Galopp, Op. 21a | Johann Strauss I, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 2 | 6B | 151 BPM | ||
Bruch: Scottish Fantasy, Op. 46: II. Scherzo. Allegro - Adagio | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Albinoni: Oboe Concerto in C Major, Op. 9 No. 5: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Freddy Kempf | G Major | 2 | 9B | 84 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
L'Arlésienne Suite No.1, WD 40: 2. Minuetto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Major | 0 | 4B | 78 BPM | ||
24 Préludes, Op.28: 7. in A major | Frédéric Chopin, Adam Harasiewicz | A Major | 0 | 11B | 134 BPM |
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