Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk made "Luxury Train Polka, Op. 281" available on January 1, 2009. The duration of Luxury Train Polka, Op. 281 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Luxury Train Polka, Op. 281's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vienna Volksoper Orchestra, Peter Falk's "Great Strauss Waltzes, Polkas & Marches: Peter Falk & The Viennese Folk Opera Orchestra" album is number 1 out of 29. Luxury Train Polka, Op. 281 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Luxury Train Polka, Op. 281 by Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Carmen Suite No. 2: Danse bohème. Andante quasi Allegretto (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D♭ Minor | 4 | 12A | 129 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Fireworks Music Suite in D Major, HV 351: IV. La Réjouissance | George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal | D Major | 2 | 10B | 109 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM |
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