Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery's ' "Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato" was released on its scheduled release date, January 25, 2010. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 35 in Dance! - The World's Favourite Ice-Dancing Music by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
An der schönen blauen Donau, Waltz, Op. 314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 95 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |