"Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 4 - Picture 1: A humble monk" by Modest Mussorgsky, Nikolai Ohotnikov, Vladimir Vaneev, Mariinsky Orchestra, Valery Gergiev was released on January 1, 1998. The duration of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 4 - Picture 1: A humble monk is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 4 - Picture 1: A humble monk's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Vladimir Vaneev, Vladimir Galusin, Nikolai Ohotnikov, Konstantin Pluzhnikov, Olga Borodina, Evgeny Nikitin, Mariinsky Orchestra, Valery Gergiev's "Mussorgsky: Boris Godunov" album is number 5 out of 63. On top of that, Netherlands appears to be the country where this track was created. The popularity of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 4 - Picture 1: A humble monk is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 4 - Picture 1: A humble monk by Modest Mussorgsky, Nikolai Ohotnikov, Vladimir Vaneev, Mariinsky Orchestra, Valery Gergiev to be Presto (very, very fast) because the track has a tempo of 183 BPM, a half-time of 92BPM, and a double-time of 366 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 1. Allegro Vivace | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 83 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM |
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