"Violin Concerto: 2. Andante molto moderato" by Frank Martin, Wolfgang Schneiderhan, Orchestre de la Suisse Romande, Ernest Ansermet was released on July 6, 2018. Since Violin Concerto: 2. Andante molto moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Frank Martin, Ernest Ansermet, Orchestre de la Suisse Romande's "Martin: Orchestral Works" album is number 13 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Violin Concerto: 2. Andante molto moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto: 2. Andante molto moderato by Frank Martin, Wolfgang Schneiderhan, Orchestre de la Suisse Romande, Ernest Ansermet to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | ||
Ein Totentanz zu Basel im Jahre 1943: Scene 4: Death and the Athlete | Frank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert | F Major | 3 | 7B | 111 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 80 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Sechs deutsche Lieder, Opus 41: Nr. 2 Lied aus Aslaugas Ritter (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | D♭ Major | 2 | 3B | 132 BPM | ||
Martin: Polyptyque: I. Image des Rameaux | Frank Martin, Yehudi Menuhin, Edmond De Stoutz, Zürcher Kammerorchester, Menuhin Festival Orchestra | F♯ Minor | 2 | 11A | 90 BPM |
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