"Cavalleria Rusticana: Mamma, mamma! Quel vino è generoso" by Plácido Domingo, James Levine was released on September 24, 2009. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 49 in the song's album "The Tenor". In this album, this song's track order is #3. Cavalleria Rusticana: Mamma, mamma! Quel vino è generoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalleria Rusticana: Mamma, mamma! Quel vino è generoso by Plácido Domingo, James Levine having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Time After Time - Vocal | Jule Styne, Plácido Domingo, Lee Holdridge | E♭ Major | 2 | 5B | 103 BPM | ||
Guerrero, Jacinto: Los gavilanes, Act 1 Scene 1: No. 1b, Salida, "Mi aldea! Cuánto el alma se recrea" (Juan) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | B♭ Major | 2 | 6B | 97 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Ballsirenen: Walzer | Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner | G Major | 2 | 9B | 101 BPM | ||
Habanera (L'amour Est un Oiseau Rebelle) - Georges Bizet | Guadalupe Pineda | D♭ Major | 3 | 3B | 63 BPM | ||
Climb Ev'ry Mountain - from "The Sound of Music" | Richard Rodgers, Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel | E♭ Major | 3 | 5B | 184 BPM | ||
Mattinata - Wien, Wien, nur du allein - Amapola - Live | Ruggero Leoncavallo, Rudolf Sieczynski, Joseph Maria Lacalle, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra Del Teatro Dell'Opera Di Roma, Zubin Mehta | B♭ Major | 3 | 6B | 138 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Vals del Emperador | Orquesta Concierto de Viena | C Major | 2 | 8B | 177 BPM |
Section: 0.8410403728485107
End: 0.8453164100646973