"Violin Sonata No. 26 in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile (Arr. L. Slavinsky for oboe and piano)" by Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Leonid Ogrintchouk was released on May 28, 2013. Since Violin Sonata No. 26 in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile (Arr. L. Slavinsky for oboe and piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Alexei Ogrintchouk's "Mozart: Oboe Concerto - Oboe Quartet - Sonata" album is number 8 out of 9. On top of that, Sweden appears to be the country where this track was created. Violin Sonata No. 26 in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile (Arr. L. Slavinsky for oboe and piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Sonata No. 26 in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile (Arr. L. Slavinsky for oboe and piano) by Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Leonid Ogrintchouk to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Tuba mirum - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 86 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): II. Adagio, ma non tanto | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 103 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | B Major | 0 | 1B | 179 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM |
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