David Allen, Jürgen Kalwa made "Kapitel 62 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 62 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:02. Based on our data, "Kapitel 62 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 62 out of 210. On top of that, Germany appears to be the country where this track was created. Kapitel 62 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 62 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "O sainte médaille" [Valentin, Wagner, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D♭ Major | 0 | 3B | 92 BPM | ||
Las Golondrinas, Escena final, II parte: "Se reía" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "A festeggiar le nozze illustri" (Normanno, Enrico) | Gaetano Donizetti, Tullio Serafin, Gino Sarri, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | D Major | 2 | 10B | 40 BPM | ||
Down To The Wire | David Allen | G Major | 6 | 9B | 120 BPM | ||
Puccini: Turandot, Act 2: "Figlio del cielo!" (Turandot, Altoum, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 3 | 6A | 80 BPM | ||
The Way You Love Me | Emerald McIntyre, Lamar Riddick, David Allen | D Major | 6 | 10B | 90 BPM | ||
Le Comte Ory / Act 1: "Vous, notre appui" | Gioachino Rossini, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Las Golondrinas: "Final, Se marcha" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
La Fanciulla del West / Act 1: Un poker? Nick, gettoni! | Giacomo Puccini, Sherrill Milnes, Robert Lloyd, Jonathan Summers, John Dobson, Tom McDonnell, Paul Crook, Robin Leggate, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | C Major | 1 | 8B | 78 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM |
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