"Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Ah! Schnee fällt aufs Blütenmeer" by Hans Werner Henze, Liane Dubin, Catherine Gayer, Martha Mödl, Dietrich Fischer-Dieskau, Thomas Hemsley, Loren Driscoll, Berlin Radio Symphony Orchestra, members, Members of the Orchestra of the Deutsche Oper, Berlin was released on January 1, 1996. Since Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Ah! Schnee fällt aufs Blütenmeer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hans Werner Henze, Deutsches Symphonie-Orchester Berlin, Orchester der Deutschen Oper Berlin's "Henze: Scenes from "Elegy for Young Lovers"" album is number 1 out of 9. Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Ah! Schnee fällt aufs Blütenmeer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Ah! Schnee fällt aufs Blütenmeer by Hans Werner Henze, Liane Dubin, Catherine Gayer, Martha Mödl, Dietrich Fischer-Dieskau, Thomas Hemsley, Loren Driscoll, Berlin Radio Symphony Orchestra, members, Members of the Orchestra of the Deutsche Oper, Berlin to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Sonatine pour basson et piano: I. Allegro con moto | Alexandre Tansman, Marc Trenel, Pascal Godart | C Major | 1 | 8B | 139 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM | ||
6 Studien in kanonischer Form, Op. 56: I. Nicht zu schnell | Robert Schumann, Céline Moinet, Florian Uhlig, Norbert Anger | C Major | 1 | 8B | 74 BPM | ||
Rough Tango | Quartetto Fancelli | A Minor | 1 | 8A | 82 BPM | ||
Schoeck: Notturno, Op. 47: V. Ach, wer möchte einsam trinken - O Einsamkeit! Wie trink' ich gerne - Heerwagen, mächtig Sternbild der Germanen | Othmar Schoeck, Cherubini-Quartett, Dietrich Fischer-Dieskau | D Major | 1 | 10B | 142 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Concerto for Violin, Strings, Lute and Percussion "TYCHE": II. Capriccio. Allegro | Giovanni Sollima, Jonian Ilias Kadesha, CHAARTS Chamber Artists | D♭ Major | 1 | 3B | 119 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM |
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