Anonymous, Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov's 'La traviata, Act I: Libiamo, ne'lieti calici, "Brindisi" (arr. for orchestra)' came out on January 1, 1996. The duration of La traviata, Act I: Libiamo, ne'lieti calici, "Brindisi" (arr. for orchestra) is about 3 minutes long, at 3:11. Based on our data, "La traviata, Act I: Libiamo, ne'lieti calici, "Brindisi" (arr. for orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Orchestral Music - Verdi, G. / Mozart, W.A. / Puccini, G. (Symphonic Opera)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. La traviata, Act I: Libiamo, ne'lieti calici, "Brindisi" (arr. for orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La traviata, Act I: Libiamo, ne'lieti calici, "Brindisi" (arr. for orchestra) by Anonymous, Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso) | Jules Massenet, Itzhak Perlman, Lawrence Foster | E Minor | 1 | 9A | 171 BPM | ||
夜想曲第2番 変ホ長調 Op. 9-2 | Yukio Yokoyama | B♭ Major | 0 | 6B | 62 BPM | ||
String Quartet in F Major, Op. 3 No. 5: II. Andante cantabile (Serenade) | Roman Hoffstetter, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 176 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | A Minor | 1 | 8A | 120 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM | ||
Swan Lake, Op.20, TH.12 / Act 2: No.10 Scène (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 2 | 9A | 88 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
Jazz Suite No. 2: IV. Waltz No. 2 (Live) | Rogerio Tutti, Rogerio Tutti Orchestra | C Minor | 4 | 5A | 93 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio) | Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 121 BPM |
Section: 0.6569390296936035
End: 0.66007399559021