Robert Schumann, Teresa Carreño, Peter Phillips's 'Fantasie, Op. 17: III. Langsam Getragen. Durchweg Leise Zu Halten - Welte-Mignon 363' came out on March 12, 2024. Since Fantasie, Op. 17: III. Langsam Getragen. Durchweg Leise Zu Halten - Welte-Mignon 363 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Warum. Heritage Music of Schumann, Dvořák and Tchaikovsky by Carl Reinecke, Robert Schumann, Pyotr Ilyich Tchaikovsky, Antonín Dvořák, Fritz Kreisler. The song's track number on the album is #11 out of 20 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Fantasie, Op. 17: III. Langsam Getragen. Durchweg Leise Zu Halten - Welte-Mignon 363 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Fantasie, Op. 17: III. Langsam Getragen. Durchweg Leise Zu Halten - Welte-Mignon 363 by Robert Schumann, Teresa Carreño, Peter Phillips has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fantasie, Op. 17: III. Langsam Getragen. Durchweg Leise Zu Halten - Welte-Mignon 363 being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM |
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