"Bachianas Brasileiras No. 2 (1930) (for orchestra) (1998 Digital Remaster): II. Aria (O Canto da Nossa Terra) Largo" by Heitor Villa-Lobos, French National Radio Orchestra, Orchestra National de la Radiodiffusion Francaise was released on 1987. Bachianas Brasileiras No. 2 (1930) (for orchestra) (1998 Digital Remaster): II. Aria (O Canto da Nossa Terra) Largo is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. This song is part of Villa-Lobos: Bachianas Brasileiras by Heitor Villa-Lobos, Victoria de los Ángeles. The song's track number on the album is #4 out of 11 tracks. Bachianas Brasileiras No. 2 (1930) (for orchestra) (1998 Digital Remaster): II. Aria (O Canto da Nossa Terra) Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas Brasileiras No. 2 (1930) (for orchestra) (1998 Digital Remaster): II. Aria (O Canto da Nossa Terra) Largo by Heitor Villa-Lobos, French National Radio Orchestra, Orchestra National de la Radiodiffusion Francaise has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Bachianas Brasileiras No. 2 (1930) (for orchestra) (1998 Digital Remaster): II. Aria (O Canto da Nossa Terra) Largo being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Romance de los pinos | Federico Moreno Torroba, Andrés Segovia | A Major | 0 | 11B | 83 BPM | ||
Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira | Darius Milhaud, Jean-Marc Fessard, Eliane Reyes | D Minor | 3 | 7A | 138 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Valsinha | Francisco Mignone, Luiz de Moura Castro | E Minor | 0 | 9A | 62 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM |
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