"Parsifal, Erster Aufzug/Act 1/Premier Acte: Mein Sohn Amfortas, bist du am Arnt? (Titurel/Amfortas)" by Richard Wagner, Phillip Joll/David Gwynne/Orchestra of Welsh National Opera/Sir Reginald Goodall, Sir Reginald Goodall, Orchestra of the Welsh National Opera, Welsh National Opera Orchestra was released on 1985. The duration of Parsifal, Erster Aufzug/Act 1/Premier Acte: Mein Sohn Amfortas, bist du am Arnt? (Titurel/Amfortas) is about 3 minutes long, at 3:09. Based on our data, "Parsifal, Erster Aufzug/Act 1/Premier Acte: Mein Sohn Amfortas, bist du am Arnt? (Titurel/Amfortas)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Parsifal by Richard Wagner, Sir Reginald Goodall. The song's track number on the album is #4 out of 65 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Parsifal, Erster Aufzug/Act 1/Premier Acte: Mein Sohn Amfortas, bist du am Arnt? (Titurel/Amfortas) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal, Erster Aufzug/Act 1/Premier Acte: Mein Sohn Amfortas, bist du am Arnt? (Titurel/Amfortas) by Richard Wagner, Phillip Joll/David Gwynne/Orchestra of Welsh National Opera/Sir Reginald Goodall, Sir Reginald Goodall, Orchestra of the Welsh National Opera, Welsh National Opera Orchestra has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Parsifal, Erster Aufzug/Act 1/Premier Acte: Mein Sohn Amfortas, bist du am Arnt? (Titurel/Amfortas) being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | D♭ Major | 0 | 3B | 85 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM |
Section: 0.7246911525726318
End: 1.6167073249816895