Robin Hendrix's 'Dolly & Her Mamma' came out on November 7, 2001. With Dolly & Her Mamma being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Nursery Rhymes & Nursery Songs". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United States. In terms of popularity, Dolly & Her Mamma is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dolly & Her Mamma by Robin Hendrix having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Finale: "Though this house give glimm'ring light" | Felix Mendelssohn, Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | E Major | 1 | 12B | 79 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
32. Hearts do not break! They sting and ache | Arthur Sullivan, Lyndsie Holland, Royal Philharmonic Orchestra, Royston Nash | D♭ Major | 2 | 3B | 82 BPM | ||
Johnny: Tell me the truth about love | Benjamin Britten, Della Jones, Steuart Bedford | B♭ Major | 0 | 6B | 108 BPM | ||
Il Tamerlano, RV 703, "Il Bajazet", Act II: Sposo, son disprezzta | Antonio Vivaldi, Leyla Gencer, Vincenzo Scalera | G Major | 3 | 9B | 70 BPM | ||
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Old Black Joe (Poor Old Joe) | Stephen Foster, Ernestine Schumann-Heink, Katherine Hoffmann | C Major | 0 | 8B | 87 BPM | ||
Griselda, Act II: “Per la Gloria D’adorarvi” | Charlotte Hoather | G Major | 1 | 9B | 129 BPM | ||
Wer hat dies Liedlein erdacht | Gustav Mahler, Felicity Lott, Graham Johnson | C Minor | 3 | 5A | 133 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 23 Solveig sings in the Hut | Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 1 | 6B | 153 BPM |
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