"Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato" by Giovanni Bria, Ingolf Turban was released on January 1, 1996. Since Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ingolf Turban & Giovanni Bria's "Heinrich Wilhelm Ernst: Music For Solo Violin & For Violin & Piano" album is number 13 out of 14. In terms of popularity, Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato by Giovanni Bria, Ingolf Turban to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
The Last Rose of Summer "Polyphonic Study No. 6" | Heinrich Wilhelm Ernst, Sueye Park | A Minor | 0 | 8A | 80 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionata | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E Minor | 1 | 9A | 98 BPM | ||
Etüde III in E: Terzetto Allegretto moderato e tranquillo | Ingolf Turban, Giovanni Bria | E Major | 1 | 12B | 103 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 1. Allegro moderato | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | F Major | 1 | 7B | 94 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM |
Section: 0.7024593353271484
End: 0.7061319351196289