"Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato" by Giovanni Bria, Ingolf Turban was released on January 1, 1996. Since Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ingolf Turban & Giovanni Bria's "Heinrich Wilhelm Ernst: Music For Solo Violin & For Violin & Piano" album is number 13 out of 14. In terms of popularity, Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elegie in c. Chant pour violon avec piano op. 10, 3 Adagio melancolio ed appassionato by Giovanni Bria, Ingolf Turban to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": I. Larghetto affetuoso | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | G Minor | 1 | 6A | 103 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | ||
12 Etudes, Op.10: No.12 In C Minor | Frédéric Chopin, Daniele Pollini | A♭ Major | 1 | 4B | 125 BPM | ||
Wieniawski : Variations on an original theme Op.15 | Henryk Wieniawski, Vadim Repin | A Major | 1 | 11B | 78 BPM | ||
Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
Saint-Saens - Danse macabre, S. 555/R. 240: Danse macabre (Arr. V. Horowitz for piano) | Franz Liszt, Valery Kuleshov | E♭ Major | 2 | 5B | 108 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta: Andante - attacca: | Pyotr Ilyich Tchaikovsky, Gidon Kremer, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 111 BPM | ||
Prokofiev: Sonata for 2 Violins in C Major, Op. 56: II. Allegro | Sergei Prokofiev, Itzhak Perlman | A Minor | 2 | 8A | 113 BPM |
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