"Nuits, adieux (Version for 4 Voices): V. Nuit III" by Kaija Saariaho, Linnéa Sundfær Casserly, Eleriin Müüripeal, Martti Anttila, Sampo Haapaniemi, Nils Schweckendiek was released on June 16, 2023. With Nuits, adieux (Version for 4 Voices): V. Nuit III being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Reconnaissance". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Sweden. Nuits, adieux (Version for 4 Voices): V. Nuit III is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nuits, adieux (Version for 4 Voices): V. Nuit III by Kaija Saariaho, Linnéa Sundfær Casserly, Eleriin Müüripeal, Martti Anttila, Sampo Haapaniemi, Nils Schweckendiek having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
The Bloody Man Steps into the Abyss | Nexhagus | E♭ Major | 0 | 5B | 59 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): II. Quietly and with a cruel reverberation | Toru Takemitsu, Kotaro Fukuma | C Major | 0 | 8B | 100 BPM | ||
Shaker Loops (version for string orchestra): Shaking and Trembling | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 1 | 8B | 146 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: II | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
Light in Darkness | Evelyn Glennie | G Major | 0 | 9B | 145 BPM | ||
Les Noces, Première partie, Premier tableau: Chez la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | F Major | 0 | 7B | 181 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM |
Section: 0.8039295673370361
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