"Francesca da Rimini, Op. 4, Act I, Scene 9: Francesca, dove andrai (Francesca, Samaritana)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Hana Minutillo was released on 1994. The duration of Francesca da Rimini, Op. 4, Act I, Scene 9: Francesca, dove andrai (Francesca, Samaritana) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act I, Scene 9: Francesca, dove andrai (Francesca, Samaritana)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #10 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. The popularity of Francesca da Rimini, Op. 4, Act I, Scene 9: Francesca, dove andrai (Francesca, Samaritana) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 9: Francesca, dove andrai (Francesca, Samaritana) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Hana Minutillo has a tempo of 180 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Francesca da Rimini, Op. 4, Act I, Scene 9: Francesca, dove andrai (Francesca, Samaritana) being at 180 BPM, the half-time would be 90 BPM with a double-time of 360 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata, Act I: Che è ciò — Un dì felice | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 1 | 6B | 81 BPM | ||
The Adventures of Tin Tin: Air de Bijoux | Danish National Concert Choir, Danish National Symphony Orchestra, Christian Schumann, Beate Mordal | D Minor | 5 | 7A | 141 BPM | ||
Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
Roberto Devereux, IGD 61, Act I: "L'amor suo mi fe' beata" (Elisabetta) | Gaetano Donizetti, Orchestra del Teatro San Carlo, Mario Rossi, Leyla Gencer | B♭ Major | 2 | 6B | 83 BPM | ||
Il Pirata, Act I: Cielo! è dessa! | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
La forza del destino, Act IV, Scene I: Le minaccie, i fieri accenti | Giuseppe Verdi, Simone Piazzola, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Les Pêcheurs de perles: Leïla!...Dieu puissant, le voila! (Nadir, Leïla) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 137 BPM |
Section: 0.6820685863494873
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