Johann Sebastian Bach, Nico Van Der Meel, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink's ' "Herr, gehe nicht ins Gericht, BWV 105: V. Aria. Kann ich nur Jesum (Tenore)" was released on its scheduled release date, June 7, 2013. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Ruth Holton, Marjon Strijk, Knut Schoch, Marcel Beekman, Nico Van Der Meel, Sytse Buwalda, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink's "J.S. Bach: Complete Sacred Cantatas Vol. 06, BWV 101-120" album is number 31 out of 124. On top of that, Netherlands appears to be the country where this track was created. Herr, gehe nicht ins Gericht, BWV 105: V. Aria. Kann ich nur Jesum (Tenore) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Herr, gehe nicht ins Gericht, BWV 105: V. Aria. Kann ich nur Jesum (Tenore) by Johann Sebastian Bach, Nico Van Der Meel, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 71 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Oleg Malov, Orchestra "Classical Music Studio", St. Petersburg, Alexander Titov, St. Petersburg Orchestra Classical Music Studio | A♭ Major | 0 | 4B | 111 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 1. (Allegro) | Johann Sebastian Bach, Friedemann Immer, Catherine Mackintosh, Michel Piguet, Ku Ebbinge, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 81 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM |