Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris's 'Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 19, Marche de la cloche (Allegro moderato)' came out on November 9, 2009. The duration of Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 19, Marche de la cloche (Allegro moderato) is about 3 minutes long, at 3:06. Based on our data, "Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 19, Marche de la cloche (Allegro moderato)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. In terms of popularity, Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 19, Marche de la cloche (Allegro moderato) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 19, Marche de la cloche (Allegro moderato) by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 137 BPM | ||
La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Minor | 2 | 4A | 144 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
Section: 0.8395833969116211
End: 0.8451263904571533