Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti's 'Swan Lake, Op. 20, TH 12, Act III: No. 19c, Pas de six: Variation II' came out on 1954. The duration of Swan Lake, Op. 20, TH 12, Act III: No. 19c, Pas de six: Variation II is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Swan Lake, Op. 20, TH 12, Act III: No. 19c, Pas de six: Variation II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Tchaikovsky: Swan Lake (The Mercury Masters: The Mono Recordings)". In this album, this song's track order is #36. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Swan Lake, Op. 20, TH 12, Act III: No. 19c, Pas de six: Variation II's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, TH 12, Act III: No. 19c, Pas de six: Variation II by Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20 - Mariinsky Version / Act 2: Pas de deux: Intrada (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 120 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM | ||
La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, Michaela Rózsa Růžičková, Czech Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM |
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