"Swan Lake, Op. 20: No.27 Danses Des Petites Cygnes" by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler was released on March 18, 1989. With this song being about 5 minutes long, at 4:44, "Swan Lake, Op. 20: No.27 Danses Des Petites Cygnes" by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Tchaikovsky: Swan Lake Highlights". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Swan Lake, Op. 20: No.27 Danses Des Petites Cygnes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20: No.27 Danses Des Petites Cygnes by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | C Minor | 4 | 5A | 147 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Swan Lake: No. 13 Danses des cygnes: Andante | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | E♭ Minor | 0 | 2A | 108 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 2, Fairies' March | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | E Minor | 0 | 9A | 145 BPM | ||
La Cenerentola (Cinderella): La cenerentola (Cinderella): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | B♭ Major | 1 | 6B | 135 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green | E Major | 1 | 12B | 82 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM |
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