"Pagliacci / Act 2: "E dessa! Dei, come è bella"" by Ruggero Leoncavallo, Florindo Andreolli, Teresa Stratas, Juan Pons, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre was released on January 1, 1984. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruggero Leoncavallo, Teresa Stratas, Plácido Domingo, Juan Pons, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre's "Leoncavallo: I Pagliacci" album is number 21 out of 25. Pagliacci / Act 2: "E dessa! Dei, come è bella" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 2: "E dessa! Dei, come è bella" by Ruggero Leoncavallo, Florindo Andreolli, Teresa Stratas, Juan Pons, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Santa Lucia | Enrico Caruso, La Scala | E♭ Major | 1 | 5B | 101 BPM | ||
Les Contes d'Hoffmann, Act II: Les oiseaux dans la charmille (Olympia/Choeurs) | Jacques Offenbach, Luciana Serra, Brussels National Opera Chorus, Orchestre Symphonique de l'Opéra National, Bruxelles, Sylvain Cambreling, Orchestre Symphonique Et Choeurs De L'Opéra National Du Théâtre Royal De La Monnaie (Brüssel) | G Major | 0 | 9B | 179 BPM | ||
Johann Strauss II : Voices of Spring [Frühlingstimmen] Op.410 | Johann Strauss II, Sumi Jo, Rudolph Bibl, Vienna Volksoper Orchestra | E♭ Major | 1 | 5B | 96 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Rigoletto | Tito Gobbi | F♯ Major | 4 | 2B | 0 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM |
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