"Addio del passato (From the Opera "Traviata") - Piano Version" by Vincent Leterme was released on December 13, 2017. The duration of Addio del passato (From the Opera "Traviata") - Piano Version is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Addio del passato (From the Opera "Traviata") - Piano Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Maria by Callas (Bande originale du film)" album is number 23 out of 27. In terms of popularity, Addio del passato (From the Opera "Traviata") - Piano Version is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Addio del passato (From the Opera "Traviata") - Piano Version by Vincent Leterme to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Hov Arek | Komitas, Vincent Leterme, Armand Arapian | B Major | 2 | 1B | 75 BPM | ||
Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
6 Gesange, Op. 3: No. 2. Liebe und Fruhling I | Johannes Brahms, Juliane Banse, Andreas Schmidt, Helmut Deutsch | D Major | 0 | 10B | 97 BPM | ||
Symphony No. 49 in F Minor, Hob. I:49 'La Passione': III. Minuet - Trio | Joseph Haydn, Barbara Hannigan, Ludwig Orchestra | A Minor | 0 | 8A | 70 BPM | ||
Le blaireau (the Badger) | Henry Barraud, Vincent De Rooster, Vincent Leterme | E Major | 4 | 12B | 152 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3b. Ound'onoren Gorda? (Where Shall We Go?)) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 98 BPM |
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