"Harpsichord Suite Set II No. 7 in B-Flat Major, HWV 440: 3. Sarabande" by George Frideric Handel, Keith Jarrett was released on September 1, 1995. The duration of Harpsichord Suite Set II No. 7 in B-Flat Major, HWV 440: 3. Sarabande is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Harpsichord Suite Set II No. 7 in B-Flat Major, HWV 440: 3. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Keith Jarrett's "Handel: Suites For Keyboard" album is number 11 out of 29. Harpsichord Suite Set II No. 7 in B-Flat Major, HWV 440: 3. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harpsichord Suite Set II No. 7 in B-Flat Major, HWV 440: 3. Sarabande by George Frideric Handel, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Le quattro stagioni, Concerto No. 1 in E Major, RV 269 "La Primavera": II. Largo - Arranged by Charl du Plessis | Antonio Vivaldi, Charl du Plessis Trio | D♭ Minor | 0 | 12A | 70 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Suite en La: Sixième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 1 | 8B | 119 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 2 in A Minor | Dmitri Shostakovich, Keith Jarrett | A Minor | 1 | 8A | 130 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 1. Sinfonia. Grave - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 0 | 10B | 128 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
Suite in D Minor, HWV 447: Courante | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 142 BPM |
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