Takashi Yoshimatsu, Nanae Yoshimura's 'Nabari, Op. 54: No. 1, Lento - 1992' had a release date set for February 15, 2000. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Subaru". In this album, this song's track order is #18. Nabari, Op. 54: No. 1, Lento - 1992 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nabari, Op. 54: No. 1, Lento - 1992 by Takashi Yoshimatsu, Nanae Yoshimura having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille Aux Cheveux De Lin, L. 117 | Claude Debussy, Ezio Bosso | F♯ Major | 0 | 2B | 90 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Harp Sonata: I. Mäßig schnell | Paul Hindemith, Elisabeth Plank | B Major | 0 | 1B | 96 BPM | ||
3 Piano Pieces, Op. 54: I. Vesipisaroita (Raindrops) | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM | ||
La source in F Major, Op. 44 | Alphonse Hasselmans, Rachel Talitman | F Major | 1 | 7B | 83 BPM | ||
Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Well, well Cornelius | Howard Skempton, John Tilbury | E♭ Major | 0 | 5B | 111 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Arabesque in Twilight | Takashi Yoshimatsu, Pascal Rogé | E Minor | 0 | 9A | 67 BPM |