John Eccles, Simone Kermes, Enrico Casazza's 'I Burn, I Burn' came out on March 4, 2016. The duration of I Burn, I Burn is about 3 minutes long, at 3:22. Based on our data, "I Burn, I Burn" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Simone Kermes's "Love" album is number 12 out of 17. I Burn, I Burn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Burn, I Burn by John Eccles, Simone Kermes, Enrico Casazza to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
The Love of Mars and Venus: Chorus. Come All, Come All | Gottfried Finger, John Eccles, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 166 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Le grand cahier: VI. Le bain | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 103 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 116 BPM | ||
I burn, my brain consumes to ashes | John Eccles, Catherine Bott, David Roblou, Paula Chateauneuf, Anthony Pleeth | B Major | 0 | 1B | 74 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Dido and Aeneas, Z.626 - Arr. for cello and choir: Purcell: When I am laid in earth (Dido and Aeneas, Z.626 - Arr. for cello and choir) | Henry Purcell, Henri Demarquette, Sequenza 9.3, Catherine Simonpietri | C Major | 1 | 8B | 74 BPM | ||
Handel : Suite in G major HWV350, 'Water Music' : III Menuet I & II | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | F♯ Minor | 0 | 11A | 112 BPM |
Section: 1.0216858386993408
End: 1.0257904529571533