- BPM
- 96
- Key
- D Minor
- Camelot
- 7A
Songs Without Words: Ich wandte mich und sahe an, Op. 121, No. 2 - Johannes Brahms, Mischa Maisky, Pavel Gililov Information
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 3%
- Instrumentalness
- 87%
- Liveness
- 8%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -26.854 dB
Summary
"Songs Without Words: Ich wandte mich und sahe an, Op. 121, No. 2" by Johannes Brahms, Mischa Maisky, Pavel Gililov was released on January 1, 1997. With this song being about 5 minutes long, at 4:44, "Songs Without Words: Ich wandte mich und sahe an, Op. 121, No. 2" by Johannes Brahms, Mischa Maisky, Pavel Gililov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 14 in Brahms: Songs without Words by Johannes Brahms, Mischa Maisky, Pavel Gililov. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Songs Without Words: Ich wandte mich und sahe an, Op. 121, No. 2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Songs Without Words: Ich wandte mich und sahe an, Op. 121, No. 2 BPM
The tempo marking of Songs Without Words: Ich wandte mich und sahe an, Op. 121, No. 2 by Johannes Brahms, Mischa Maisky, Pavel Gililov is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Songs Without Words: Ich wandte mich und sahe an, Op. 121, No. 2 Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | |
 | Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | |
 | Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | |
 | Liebestraum, S. 541, No. 3 | Franz Liszt, Evgeny Kissin | E♭ Major | 0 | 5B | 75 BPM | |
 | Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | |
 | Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | |
 | Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM |
- ISRC
- DEF059603910
- Label
- L-M Records/RCA Records
Section: 0.6802983283996582
End: 0.6851367950439453