"Piano Concerto No. 1 in E-Flat Major, S. 124: IIa. Quasi adagio" by Franz Liszt, Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin was released on October 7, 2022. With this song being about 5 minutes long, at 5:00, "Piano Concerto No. 1 in E-Flat Major, S. 124: IIa. Quasi adagio" by Franz Liszt, Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 53 out of 140 in Franz Liszt - A Monument of Classics by Franz Liszt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Piano Concerto No. 1 in E-Flat Major, S. 124: IIa. Quasi adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1 in E-Flat Major, S. 124: IIa. Quasi adagio by Franz Liszt, Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM |
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