Schwanensee, Op. 20: Act III: Russian Dance
Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky
Tchaikovsky: Swan Lake (Complete Ballet)
4:39 November 18, 2002
BPM
90
Key
A Minor
Camelot
8A

Embed

Share Link

Schwanensee, Op. 20: Act III: Russian Dance - Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky Information

Acousticness
89%
Danceability
29%
Energy
7%
Instrumentalness
17%
Liveness
7%
Loudness
62%
Speechiness
5%
Valence
22%
Popularity
Loudness
-22.626 dB

Summary

Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky's 'Schwanensee, Op. 20: Act III: Russian Dance' came out on November 18, 2002. With this song being about 5 minutes long, at 4:39, "Schwanensee, Op. 20: Act III: Russian Dance" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Schwanensee, Op. 20: Act III: Russian Dance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Schwanensee, Op. 20: Act III: Russian Dance BPM

With Schwanensee, Op. 20: Act III: Russian Dance by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.

Schwanensee, Op. 20: Act III: Russian Dance Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Coppélia : Act III, No.20 Féte de la cloche - Divertissement 8a) Male variation by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav GorkovenkoCoppélia : Act III, No.20 Féte de la cloche - Divertissement 8a) Male variationSaint Petersburg Radio and TV Symphony Orchestra, Stanislav GorkovenkoB Major21B83 BPM
La fille mal gardée / Act 1: 16. Simone - 19. Storm and Finale by Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John LanchberyLa fille mal gardée / Act 1: 16. Simone - 19. Storm and FinaleFerdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John LanchberyG Minor26A110 BPM
Elgar: Pomp and Circumstance, Op. 39: II. March No. 2 in A Minor (Allegro molto) by Edward Elgar, London Philharmonic Orchestra, Sir Adrian BoultElgar: Pomp and Circumstance, Op. 39: II. March No. 2 in A Minor (Allegro molto)Edward Elgar, London Philharmonic Orchestra, Sir Adrian BoultB Minor310A131 BPM
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery GergievThe Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy)Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery GergievA♭ Major14B118 BPM
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion by Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo MaCarnival of the Animals, R. 125: Introduction and Royal March of the LionCamille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo MaG Major29B90 BPM
Eine Symphonie zu Dantes Divina Commedia, S109/R426, Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: LentoFranz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György LehelC Major18B145 BPM
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo by Felix Mendelssohn, Slovak Philharmonic, Anthony BramallEin Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: ScherzoFelix Mendelssohn, Slovak Philharmonic, Anthony BramallF Major17B60 BPM
Schwanensee, Op. 20: Act III: Pas de deux by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry YablonskySchwanensee, Op. 20: Act III: Pas de deuxPyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry YablonskyC Major48B125 BPM
Le Corsaire : Act I, No.9 Merchant Variation by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny BrazhnikLe Corsaire : Act I, No.9 Merchant VariationOrchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny BrazhnikD Major210B165 BPM
Symphony No. 4 in A Major, Op. 90, MWV N16 Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": IV. Saltarello. PrestoFelix Mendelssohn, Cologne New Philharmonic Orchestra, Volker HartungA Minor28A100 BPM
ISRC
HKI190201316
Label
L-M Records/RCA Records

Section: 0.6457846164703369

End: 0.6496663093566895