Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel's 'Tafelmusik - Banquet Music in 3 Parts / Production 1 - 1. Ouverture - Suite in E Minor: 6. Air. Un peu vivement' came out on January 1, 1989. With this song being about 5 minutes long, at 4:51, "Tafelmusik - Banquet Music in 3 Parts / Production 1 - 1. Ouverture - Suite in E Minor: 6. Air. Un peu vivement" by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 70 in the song's album "Telemann: Banquet Music in three Parts". In this album, this song's track order is #6. Tafelmusik - Banquet Music in 3 Parts / Production 1 - 1. Ouverture - Suite in E Minor: 6. Air. Un peu vivement is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tafelmusik - Banquet Music in 3 Parts / Production 1 - 1. Ouverture - Suite in E Minor: 6. Air. Un peu vivement by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 102 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, Alison Balsom, Balsom Ensemble | B♭ Minor | 1 | 3A | 81 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: V. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 113 BPM | ||
Oboe Concerto in A Minor: III. Allegro | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 3 | 8A | 130 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Concerto No 3 in B minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B♭ Minor | 3 | 3A | 132 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 2 | 2B | 169 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Sonata a 5 in D Major: IV. (Allegro) | Giuseppe Torelli, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 2 | 3B | 105 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM |
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