"Canon and Gigue in D Major, P. 37: I. Canon" by Four Seasons String Quartet was released on January 1, 1996. With this song being about 5 minutes long, at 5:11, "Canon and Gigue in D Major, P. 37: I. Canon" by Four Seasons String Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wedding Album by Four Seasons String Quartet. The song's track number on the album is #11 out of 21 tracks. In terms of popularity, Canon and Gigue in D Major, P. 37: I. Canon is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Canon and Gigue in D Major, P. 37: I. Canon by Four Seasons String Quartet has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Canon and Gigue in D Major, P. 37: I. Canon being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Konzert D-moll Für Oboe, Streicher Und Continuo, BWV 1059: Largo | Thomas Indermühle | F Major | 1 | 7B | 141 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: I. Allegro Moderato - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 65 BPM | ||
Messiah, HWV 56: Part I: Symphony Pastoral: Pifa | George Frideric Handel, Maria Jette, Patrice Djerejian, William Hite, Jeffrey Strauss, David Bachmann, Eric Budzynski, Apollo Chorus of Chicago, Studio Orchestra, Stephen Alltop | C Major | 0 | 8B | 75 BPM | ||
Sonata No. 11 in G Major: II. Adagio assai | Leonardo Vinci, Claudio Ferrarini | D Major | 1 | 10B | 108 BPM | ||
Organ Concerto No. 2: I. Largo maestoso | Södersten, Gunno, Hans Fagius, Stockholm Immanuelskyrkans Chamber Orchestra, Peter Eriksson | C Minor | 1 | 5A | 89 BPM | ||
Notebook for Anna Magdalena Bach, Minuet in G, BWV Anh. 114: Allgretto | Ben Quine | G Minor | 1 | 6A | 135 BPM | ||
Concierto No. 1 in E Major, Op. 8, la primavera: III. Danza pastorale - Allegro | Munich Philharmonic Orchestra, Wilhem Hertz | E Major | 2 | 12B | 82 BPM | ||
Orphée Et Eurydice, Wq.41: Dance of the Blessed Spirits | Adelaide Symphony Orchestra, Ron Spigelman | F Major | 1 | 7B | 115 BPM | ||
Péron: Méditation Religieuse | Su Shien-Ta, Yu Tsui-Ling | A Major | 1 | 11B | 80 BPM | ||
His Chosen Ones | Rachael Devernoe, John Meltz | C Major | 2 | 8B | 180 BPM |
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