Grzegorz Niemczuk, Wojciech Kilar's 'W.Kilar/G.Niemczuk - Polonez from Pan Tadeusz' came out on 2014. With this song being about 5 minutes long, at 4:35, "W.Kilar/G.Niemczuk - Polonez from Pan Tadeusz" by Grzegorz Niemczuk, Wojciech Kilar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of W.Kilar - Film music transcriptions by Grzegorz Niemczuk. The song's track number on the album is #2 out of 12 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, W.Kilar/G.Niemczuk - Polonez from Pan Tadeusz is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since W.Kilar/G.Niemczuk - Polonez from Pan Tadeusz by Grzegorz Niemczuk, Wojciech Kilar has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With W.Kilar/G.Niemczuk - Polonez from Pan Tadeusz being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Don Quixote: Act IV: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 106 BPM | ||
Jar Horpyny | Krzesimir Dębski, Sinfonia Varsovia | B Major | 1 | 1B | 76 BPM | ||
Waltz - From the Film "Jealousy and Medicine" - Live | 5cet, AUKSO Orkiestra Kameralna Miasta Tychy, Kasia Moś, Wojciech Kilar, Marek Moś | F Minor | 6 | 4A | 129 BPM | ||
Jezioro Łabędzie | Artur Kaszowski; Jan Nowak; Aleksander Nowak; Wiesław Suruło; Mirosław Drak | F Minor | 3 | 4A | 144 BPM | ||
Le Corsaire: Act II - "5. Grand Pas: Variation: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | F Major | 0 | 7B | 77 BPM | ||
The Confession - From the Film "Death and the Maiden" - Live | 5cet, Wojciech Kilar, Marek Moś, AUKSO Orkiestra Kameralna Miasta Tychy | G Major | 7 | 9B | 95 BPM | ||
Wilcze echa III | Konrad Bryzek, Wojciech Kilar | B♭ Major | 5 | 6B | 95 BPM | ||
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Rachmaninoff: Prelude | Robin Freund-Epstein | A Major | 2 | 11B | 76 BPM |
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