"Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VI. Allegretto" by Bohuslav Martinů, Michal Kanka, Jaromir Klepac was released on January 1, 2001. With Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VI. Allegretto being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 21 in Bohuslav Martinů: Small Pieces for Cello and Piano by Bohuslav Martinů, Michal Kanka, Jaromir Klepac. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VI. Allegretto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: VI. Allegretto by Bohuslav Martinů, Michal Kanka, Jaromir Klepac is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nostalgia | José Siqueira, Guilherme Andreas, Gianne Ge Zhu | A♭ Minor | 2 | 1A | 74 BPM | ||
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Suite for Variety Orchestra No. 1: Waltz No. 2 (Arr. Fontaine for Cello, Piano & 4 Saxophones) | Dmitri Shostakovich, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Aubade, FP 51a: III. Rondeau. Diane et compagnes | Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp | E Major | 1 | 12B | 74 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
Petrushka, K12 (1947 Version): Ib. Russian Dance | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM |
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