"Psalmen Davids sampt etlichen moteten und concerten, Op. 2: No. 15, Jauchzet dem Herren, alle Welt, SWV 36 "Psalm 100"" by Heinrich Schütz, The Cambridge Singers, Mark Williams was released on March 1, 2009. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Sacred Flame". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Psalmen Davids sampt etlichen moteten und concerten, Op. 2: No. 15, Jauchzet dem Herren, alle Welt, SWV 36 "Psalm 100" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalmen Davids sampt etlichen moteten und concerten, Op. 2: No. 15, Jauchzet dem Herren, alle Welt, SWV 36 "Psalm 100" by Heinrich Schütz, The Cambridge Singers, Mark Williams having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Da pacem, Domine, SWV 465 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | A Minor | 2 | 8A | 135 BPM | ||
Johannes-Passion, SWV 481: "Wäre dieser nicht ein Übeltäter" | Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Hans-Joachim Rotzsch, Martin Flämig | C Major | 2 | 8B | 102 BPM | ||
Auferstehungshistorie, SWV 50: (Conclusio) Gott sei Dank, Victoria! | Heinrich Schütz, Ensemble Polyharmonique | D♭ Major | 1 | 3B | 73 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 42, O Ewigkeit, du Donnerwort, BWV 513 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Cantantibus organis | Philippe Rogier, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Taverner: Missa Corona spinea - 06. Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 71 BPM | ||
Symphoniae Sacrae III, Op. 12: No. 4, Mein Sohn, warum hast du uns das getan, SWV 401 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Maria Stosiek, Ulrike Hofbauer, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | D Major | 3 | 10B | 116 BPM |
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