"Handel: Brockes-Passion, HWV 48: No. 42b, Aria. "Hier erstarrt mein Herz und Blut" (Gläubige Seele)" by George Frideric Handel, Sabine Devieilhe, Raphael Pichon was released on November 5, 2021. With Handel: Brockes-Passion, HWV 48: No. 42b, Aria. "Hier erstarrt mein Herz und Blut" (Gläubige Seele) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 24 in Bach & Handel by Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon. Based on our statistics, Handel: Brockes-Passion, HWV 48: No. 42b, Aria. "Hier erstarrt mein Herz und Blut" (Gläubige Seele)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Handel: Brockes-Passion, HWV 48: No. 42b, Aria. "Hier erstarrt mein Herz und Blut" (Gläubige Seele) by George Frideric Handel, Sabine Devieilhe, Raphael Pichon is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 2 | 12B | 102 BPM | ||
Scarlatti, A / Orch Orfeo 55: L'honestà negli amori, Act 1: "Già il sole dal Gange" (Saldino) [Orch. Orfeo 55] | Alessandro Scarlatti, Nathalie Stutzmann, Orfeo 55 | D♭ Major | 4 | 3B | 92 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 3 | 9B | 134 BPM | ||
Dido and Aeneas, Z. 626, Act I: Cupid only throws the dart - If not for mine for Empire's sake - Persue thy conquest Love | Henry Purcell, La Nuova Musica, David Bates, Matthew Brook, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": VII. Gloria Patri e Filio (Largo) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Minor | 0 | 1A | 75 BPM | ||
La superbia d'Alessandro: "Non prendo consiglio" | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | A♭ Major | 3 | 4B | 126 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 3. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Fago: Confitebor tibi Domine: VI. "Intellectus bonus omnibus - Gloria" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 82 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act I, Belinda "Shake the cloud" | Henry Purcell, Orchestra of the Age of Enlightenment, Rosemary Joshua, René Jacobs | B Minor | 1 | 10A | 125 BPM |
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