"Simple Symphony, Op. 4: II. Movement 2 (Playful Pizzicato)" by English Chamber Orchestra, Elisabeth Söderström was released on March 25, 2009. The duration of Simple Symphony, Op. 4: II. Movement 2 (Playful Pizzicato) is about 3 minutes long, at 3:28. Based on our data, "Simple Symphony, Op. 4: II. Movement 2 (Playful Pizzicato)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 25 in Britten: Les Illuminations, Variations on a Theme of Frank Bridge, Simple Symphony by English Chamber Orchestra, Elisabeth Söderström. The popularity of Simple Symphony, Op. 4: II. Movement 2 (Playful Pizzicato) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Simple Symphony, Op. 4: II. Movement 2 (Playful Pizzicato) by English Chamber Orchestra, Elisabeth Söderström is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in B-flat Major for Three Trumpets and Orchestra: II. Largo | Georg Philipp Telemann, Wynton Marsalis, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 150 BPM | ||
Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | C Major | 1 | 8B | 77 BPM | ||
Gloria in D, R.589: Allegro: Laudamus te | Antonio Vivaldi, Rodney Slatford, John Constable, Margaret Marshall, Ann Murray, English Chamber Orchestra, Vittorio Negri, Olga Hegedus | D Major | 0 | 10B | 72 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
A Postcard to Henry Purcell - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | F Major | 0 | 7B | 85 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM |
Section: 0.7600209712982178
End: 0.7636077404022217