"Aida (arr. for orchestra): Aida, Act II: Gloria all'Egitto (arr. for orchestra)" by Anonymous, Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov was released on January 1, 1996. Since Aida (arr. for orchestra): Aida, Act II: Gloria all'Egitto (arr. for orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Orchestral Music - Verdi, G. / Mozart, W.A. / Puccini, G. (Symphonic Opera)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. In terms of popularity, Aida (arr. for orchestra): Aida, Act II: Gloria all'Egitto (arr. for orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aida (arr. for orchestra): Aida, Act II: Gloria all'Egitto (arr. for orchestra) by Anonymous, Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
Inviolata - Sequentia in Honorem Beatae Mariae Virginis | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | F♯ Major | 1 | 2B | 86 BPM | ||
Los set gotxs | Jordi Savall | E Minor | 4 | 9A | 96 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
Ave Maris stella | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | B♭ Minor | 2 | 3A | 75 BPM | ||
Pre-Eternal Counsel | Men's Choir of the Valaam Singing Culture Institute | E♭ Minor | 1 | 2A | 140 BPM | ||
Hymnus, Veni Creator Spiritus | Choir of Beirut | B♭ Major | 0 | 6B | 70 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Gloria patri | Francesco Corteccia, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 79 BPM | ||
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM |
Section: 0.5222189426422119
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