Christina Pluhar, Vincenzo Capezzuto, L'Arpeggiata's 'Pluhar: Orfeo Chamán, Act 2: "Habrá una ninfa" (Nahual)' came out on October 7, 2016. The duration of Pluhar: Orfeo Chamán, Act 2: "Habrá una ninfa" (Nahual) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Pluhar: Orfeo Chamán, Act 2: "Habrá una ninfa" (Nahual)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Pluhar: Orfeo Chaman". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Pluhar: Orfeo Chamán, Act 2: "Habrá una ninfa" (Nahual) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pluhar: Orfeo Chamán, Act 2: "Habrá una ninfa" (Nahual) by Christina Pluhar, Vincenzo Capezzuto, L'Arpeggiata having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Fandango | Antonio Soler, Christina Pluhar | A Minor | 4 | 8A | 110 BPM | ||
Rossi / Arr. Pluhar: "Questo picciolo rio" | Luigi Rossi, Christina Pluhar, Véronique Gens | E Minor | 1 | 9A | 91 BPM | ||
Monteverdi: Madrigals, Book 7: Con che soavità, SV 139 | Claudio Monteverdi, Christina Pluhar, Núria Rial | G Major | 1 | 9B | 79 BPM | ||
Moulinié: Enfin la beauté que j'adore | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | E Major | 1 | 12B | 119 BPM | ||
Dolce Memoria | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 85 BPM | ||
Concerto for Mandolin No. 2 in A Minor, Op. 144: I. Maestoso | Raffaele Calace, Julien Martineau, Rinaldo Alessandrini, Concerto Italiano | A Minor | 2 | 8A | 148 BPM | ||
Canta la cicaleta | Stefano Landi, L'Arpeggiata, Christina Pluhar | C Major | 0 | 8B | 120 BPM | ||
Cum Dederit | Armand Amar, Sandrine Piau | A Minor | 1 | 8A | 136 BPM | ||
Traditional / Arr Pluhar: Orfeo Chamán, Act 4: Aparición de Eurídice (Nahual, Eurídice, Orfeo) | Traditional, Christina Pluhar, Vincenzo Capezzuto, Luciana Mancini, Nahuel Pennisi, L'Arpeggiata | C Major | 3 | 8B | 102 BPM |
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