"Peter and the Wolf, Op. 67 (Remastered): The Duck is Caught" by Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With Peter and the Wolf, Op. 67 (Remastered): The Duck is Caught being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Peter and the Wolf, Op. 67 (Remastered): The Duck is Caught is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter and the Wolf, Op. 67 (Remastered): The Duck is Caught by Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
Medea Suite, Op. 23: IV. Choros | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | A Minor | 0 | 8A | 93 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Im Anfang sehr zurückgehalten | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Major | 1 | 3B | 105 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | C Major | 2 | 8B | 134 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Peter and the Wolf, Op. 67: The Duck, Dialogue with the Bird, Attack of the Cat | David Bowie, Eugene Ormandy | G Major | 1 | 9B | 94 BPM | ||
Delius: 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 | 김준영 | E♭ Major | 4 | 5B | 120 BPM |
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