Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem - Ivo Janssen Information

Acousticness: 3%
Danceability: 51%
Energy: 1%
Instrumentalness: 92%
Liveness: 10%
Loudness: 52%
Speechiness: 4%
Valence: 3%
Popularity: 3%
Loudness: -28.537 dB

Summary

"Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem" by Ivo Janssen was released on November 28, 2010. The duration of Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem is about 3 minutes long, at 3:03. Based on our data, "Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ivo Janssen's "J.S. Bach Die Kunst der Fuge" album is number 7 out of 20. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem BPM

We consider the tempo marking of Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem by Ivo Janssen to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano	George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	1	6A	169 BPM
Concerto in C minor, after Marcello, BWV 981: Adagio	Ivo Janssen	F Minor	0	4A	72 BPM
Oboe Concerto in E Minor, TWV 51:e1: II. Allegro molto	Georg Philipp Telemann, Marcel Ponseele, Il Gardellino	F♯ Major	4	2B	126 BPM
Sonata for Alto Saxophone: IV. Lebhaft	Paul Hindemith, Ivo Janssen, Arno Bornkamp	E♭ Major	1	5B	95 BPM
Barre: Assouplissement à la barre (Suite Saphir)	Patrice Bernard	F Major	2	7B	96 BPM
Prélude à l'imitation de Mr. Froberger	Louis Couperin, Gustav Leonhardt	A♭ Major	3	4B	76 BPM
Children's Album, Op. 19 (Excerpts): No. 1, March	Tatiana Nikolayeva, Hiroko Ishimoto	C Major	1	8B	128 BPM
Keyboard Sonata No. 24 in D Minor: Allegro	Carlos Seixas, Débora Halász	C Minor	4	5A	78 BPM
60 Études for Piano: No. 24 in G Major	Johann Baptist Cramer, Giorgio Farina	G Major	5	9B	131 BPM
Suite No. 4 in D Minor: III. Gavotta	Domenico Zipoli, Giovanni Nesi	F Major	2	7B	113 BPM

ISRC: NLK510600093
Label: L-M Records/RCA Records

Section: 0.7313196659088135

End: 0.7357065677642822