On 1981, the song "Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro" was released by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner. The duration of Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, John Eliot Gardiner & English Baroque Soloists, John Eliot Gardiner, English Baroque Soloists's "Handel : 6 Concerti grossi Op.3 (Apex)" album is number 21 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: III. Allegro by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Concerto grosso op. 6 no. 1 in G major HWV 319: I. A tempo guisto | George Frideric Handel, Combattimento Consort Amsterdam, Jan Willem de Vriend | A Minor | 0 | 8A | 70 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM |
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