"Tavener: The Lamb" by John Tavener, The Sixteen, Harry Christophers was released on January 1, 2007. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Renaissance - Music for Inner Peace". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Tavener: The Lamb is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tavener: The Lamb by John Tavener, The Sixteen, Harry Christophers having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nesciens Mater virgo virum - motet: 8vv | Jean Mouton, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 73 BPM | ||
Deutsche Messe, D. 872: V. Zum Sanctus. Sehr langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Górecki: Totus Tuus Op.60 | Henryk Górecki, The Sixteen, Harry Christophers | E♭ Major | 0 | 5B | 135 BPM | ||
Tomkins: When David heard | Thomas Tomkins, The Sixteen, Harry Christophers | G Major | 1 | 9B | 137 BPM | ||
Chandos Anthem No. 7, HWV 252, "My song shall be alway": The heav'ns are thine, the earth is also thine (Alto & Bass) | George Frideric Handel, Harry Christophers, The Sixteen, James Bowman, Michael George | D Major | 2 | 10B | 107 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Threshold of Night | Tarik O'Regan, Craig Hella Johnson, Conspirare | B♭ Major | 0 | 6B | 79 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D♭ Major | 1 | 3B | 93 BPM |
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